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We’ve updated our Terms of Use. You can review the changes here.
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This composition requires three instruments, four field-recording samples, one pitched-percussion instrument, and three voice approaches. For each of these components, the artist creates five unique patterns, labeled one-through-five, lasting four seconds at 60 BPM. The composition defines when each unique pattern should be played, distributed over four second intervals. Two instruments have brief interludes for solos; one voice has three separate moments for solo performances.

The key for this performance: D minor
The instruments and sounds used for this performance:
• One banjo
• One guzheng
• One piano
• One xylophone
• Four field recordings of nature
• Three voice approaches – the “voice solos” are a reading of Rainer Maria Rilke’s poem, “Entrance.”

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Terrible At Small Talk Washington, D.C.

Terrible At Small Talk is the most recent moniker evolved from Fertanish. The new name reflects an evolution to free experimental music, absent of vocals and blessed with a disintegration of common musical structure.

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